They
have been forsaken and forgotten by their countrymen. Languishing in a
PoW camp in Pakistan for 33 years, these Indian soldiers have little
hope of their release through diplomatic means. After so many years of
undergoing torture in the prison camp, they are left with only one
option — to escape.
But are they still strong enough — both
physically and mentally — to accomplish this arduous task? This is the
question which “Deewar” tries to answer over three hours.
The film is a tribute to those Indian soldiers whose contribution
in the 1971 war went ignored. It is also a tribute to a Hollywood
classic, “The Great Escape”. However, the movie fails to sustain the
viewer’s interest. It takes a long time to take off.
If you are trying to escape from a maximum-security
prison, would you do it in broad daylight, when the guards are fresh
and alert, or does the cover provided by night seem a better option?
Logic
would indicate that after 18 unsuccessful escape attempts, the inmates
led by Major Ranvir Kaul (Amitabh Bachchan), would choose the right
option. But the makers of Deewaar- Let's Bring Our
Heroes Home would have us think otherwise.
On the positive side, there is an impressive performance by K.K.
Menon as the prison in-charge.
Amitabh Bachchan and Sanjay Dutt
have also done a good job but there was not much to do for Amrita Rao.
Akshay Khanna’s work is average. The songs don’t fit in the script and
obstruct the flow of the story. Music composer Adesh Srivastava and
lyricist Nusrat Badr have done a commendable job in “Le ke aayeen hain...”
The set of the prison is quite realistic and worth the huge amount
spent on it. The director — Milan Luthria of “Kachche Dhage” and
“Chori Chori” fame — has made an attempt to deal with a sensitive and
delicate issue. However, he has not been able to exploit the full
potential of the subject.
At best, Deewaar represents postmillennial
Mumbai mainstream movies remarkably marked by scripts which dare to
cast mature actors as against eye candies on centrestage (a phenomenon
that will hopefully not end with Bachchan.)
However to recommend a film for its top rate performances (Bachchan
and Kay Kay in particular) or its cutting edge cinematography (Nirmal
Jani) would be to recommend cinema without any context.
Rating
Index: * * * * * Just brilliant * * * * A cut above * * * Enjoyable
* * Average * Bomb
the webdespardes.com
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